The Simpsons:
"Eek! and Ye Shall Find..."

 

written by Ira Nayman

 

 





© copyright 1997 by Ira Nayman
50 Evanston Drive
North York, Ontario
M3H 5P3
(416) 630-7331
ira@lespagesauxfolles.ca

ACT ONE

FADE IN:

INT. SIMPSONS' DEN - DAY

The Itchy and Scratchy title card is on the television.

SINGERS
The Itchy and Scratchy show!

CUT TO: another card with two eyeballs and the title: "I only have eyes (and ears and arms and kidney and spleen) for you" SOUND: click. Image on TV screen changes to a still photograph of a whale putting a friendly fin around a Mobile Oil Tanker.

PBS ANNOUNCER
The following program has been made possible by a grant by the Mobile Oil Corporation. Mobile Oil -- you see? We really do do more than rape the environment for unconscionable amounts of profit!

SOUND: Homer, Bart and Lisa groan. ANGLE ON: the family. HOMER, on the sofa, and LISA and BART, on the floor, glare at MARGE, who is holding the converter. While the set is on, everybody talks over it.

BART
Homer! Mom can't force us to watch the Pea-Brained Sissies Network! Make her stop!

HOMER
Marge!

MARGE
Now, everybody, I just thought that since this was the only time the family is together, we should do something intellectually stimulating...

LISA
But mom, without the emotional catharsis we get from Itchy and Scratchy, we could grow up to be maladjusted sociopaths!

MARGE
I'm sure you'll be able to get all the catharsis you need the 23 other times the show is syndicated this week.

BART
Homer -- do something!

HOMER
Now, Marge --

MARGE
You know, Homie, I think intelligence is such a sexy trait in a man...

HOMER
You're on your own, boy.

BART
Oh, man!

On the television is a still photo of a slaughterhouse with the title: "The Story of Meat." The show is in black and white. MUSIC: peppy, 1950s science film tune. CUT TO: cows milling about in pens not much bigger than they are.

MCCLURE
(upbeat)
...first stop in the story of meat is in the breeding pens. They look about as comfortable as lying in a tanning booth -- forever! But don't worry, Mom. These babies are so pumped with antibiotics that one pound of Grade A, American Prime will keep a family of four from getting a cold for a month!

ANGLE ON: the family.

BART
Hey, isn't that Troy McClure, star of such films as Dial M For Muttonhead and The Naughty Ninnies?

MARGE
Bart!

LISA
I thought Troy McClure only hosted awards ceremonies and appeared at benefits for people with obscure but heart rending life threatening diseases.

MARGE
Well...maybe this was early in his career. Now, hush.

On TV, the camera has moved to a long line of cows being herded single file down a ramp to where a man with a stained butcher's apron is holding a long metal tube with a trigger like a gun at the end.

MCCLURE
...affectionately known as "The Killing Floor." Better watch your step, Mister Slaughterman -- that floor can get pretty slippery!

A cow moves into place. The end of the tube is placed up against the side of his head.

MCCLURE (CONTINUING)
Have you ever heard the expression "don't lose your head?" Well, that's pretty much what happens in our next step! But remember, kids, don't try this at home...

ANGLE ON: the family. SOUND: kathunk of metal hitting flesh, followed by the thud of a body hitting a cold, hard floor. Homer, Lisa and Bart start to laugh.

MCCLURE (CONTINUING)
(off)
Let's see that again from another angle...

SOUND: kathunk, thud. Homer, Lisa and Bart are howling with laughter. Marge, watching them, begins to get angry.

MCCLURE (CONTINUING)
(off)
This time, pay particular attention to the angle at which the brain matter bounces off the wall...

SOUND: kathunk, thud. Family laughter. Marge is becoming incensed.

MCCLURE (CONTINUING)
(off)
You get a much better feel for the trajectories in super slow motion...

SOUND: long, drawn out kathunk.

BART
Hey, this is almost as good as Itchy and Scratchy!

Marge turns off the television set. The others moan loudly.

MARGE
Kids, go to your rooms. I want to talk with your father.

BART
Aww! Can't we stay to see the part where they talk about how many insect parts you can legally let drop in a pound of beef before it's packaged?

MARGE
Bart, go to your room this instant!

Bart and Lisa reluctantly leave.

BART
(mutters)
American kids would have much better test scores if people only made the effort to make science that much fun!

MARGE
Homer, do you really think you should be encouraging the children's infantile preoccupation with violent imagery?

Long pause.

HOMER
(tentative)
This is one of those questions with no right answer, isn't it?

MARGE
That's right.

HOMER
Phew! At least I don't have to go to the trouble of thinking one up...

MARGE
Homer! You're a role model! As their father, the children look to you to learn how to behave.

HOMER
Is this about not trying to thaw frozen beer in the microwave?

MARGE
Not exactly...

HOMER
I still say that door wouldn't have blown out if it hadn't been defective!

MARGE
Homer, please! I think you should do something more...intellectually stimulating so the children will better learn to love knowledge.

HOMER
All the time?

MARGE
Once in a while?

HOMER
What did you have in mind?

MARGE
How about taking Lisa and Bart to the museum?

HOMER
Marge! I took Lisa to the museum two months ago!

MARGE
Actually, that was three years ago...

HOMER
So, what Lisa and I learned was true! Short term memory loss can be caused by...uhh... uhh...

MARGE
I really think it would be good for the children to see their father do something other than watch TV.
(pause, seductive)
Homie, is your short term memory good enough to recall what I said about intelligent men...?

INT. MUSEUM - DAY

An unbelievably large rotunda housing a complete T Rex skeleton with a couple of dozen smaller exhibits scattered around it. The roof is domed. ZOOM IN: on Lisa, Bart and Homer, at the base of the dinosaur, looking up in awe.

LISA
...dinosaur means "Thunder Lizard?"

BART
Really? I thought it meant hundred million grosses at the box office.

LISA
Did you know that some scientists now believe that after most of them died out, some dinosaurs evolved into birds?

HOMER
Now, Lisa...

LISA
No, dad. It's true.

HOMER
Next you'll be telling us that squirrels can fly and moose can save us from evil Russian spies who always wear black and talk funny.

Lisa, confused, looks at Bart, who shrugs.

INT. BUBBLE BLOWING EXHIBIT - DAY

There are half a dozen small vats of soapy water on stands; each vat has a wire sticking out of the soapy solution.

LISA
(reads off plaque)
...shape of the bubble depends on the surface tension of the wire frame.

BART
Hey, Homer, check this out.

Bart takes a simple wire frame out of the nearest vat and blows, twisting his lips in a variety of ways. A bubble version of a hula dancer emerges. Bart gently shakes the wire, making the dancer jiggle a bit. Then, it pops.

HOMER
Not bad...

BART
It's the lip action, man. It's all in the lips.

HOMER
Stand back and watch a pro...

Homer takes out the wire and blows, but all he gets is a square bubble, which quickly bursts. Homer angrily tosses the wire back into the tank.

BART
What can I say? It's a gift.

HOMER
(mutters)
You better say that this was educational when your mother asked how you liked the museum.

INT. WALL OF CAVE PAINTINGS - DAY

LISA
...cave paintings are believed by many paleontologists to be a form of "sympathetic magic." They believe our ancestors drew paintings of animals with arrows in them to help them capture those animals later in the hunt.

Homer is staring at just such a picture.

HOMER
(voice over)
Mmm...wild buffalo roasting over an open fire...
(aloud)
Uhh...kids, I gotta go...do adult things. Meet me in the cafeteria when you've had enough intellectual stimulation...

Homer rushes off.

LISA
(sighs)
Genetics is such an imperfect science...

INT. ENTRANCE TO HALL - DAY

It is tall, without a door. Homer rushes towards the entrance. DYING MAN stumbles in from the opposite direction and falls into his arms.

DYING MAN
(breathing hard)
Uhh...I...I...uhh...

HOMER
Knock it off, buddy! I'll have you know I'm a happily married man!

Homer pushes Dying Man away. He stumbles back for a moment. As Homer rushes past him, Dying Man stumbles forward again into the arms of Cary Grant. Grant reflexively grabs hold of the knife sticking out of Dying Man's back, which we see for the first time.

GRANT
Not again!

A woman, seeing the bloody knife in his hand, screams. An uproar begins.

INT. CAFETERIA - DAY

Homer sits at a table in front of a very large burger. He grabs it with both hands, one on either side, and starts to lift it off the plate when an ANGEL (Homer with a halo) appears over his left shoulder.

ANGEL
Homer Simpson, how could you possibly eat that after what you learned about cattle farming yesterday?

HOMER
I'm not listening to you...la di da di da...

A small devil (Homer with horns) appears over Homer's other shoulder.

DEVIL
Attaway, Homer. It's not your fault if cows are raised under filthy...painful...mmm, pain...

HOMER
You're not helping...la di da...

The Angel and Devil confront one another in front of Homer's nose.

ANGEL
Don't confuse him with your lies!

DEVIL
Oh, yeah?

The Devil sticks out two of his fingers and pokes the Angel in the eyes.

HOMER
Hey! Don't do that!

ANGEL
Oh, wise guy, hunh? Rowf! Rowrrowf!

DEVIL
Why, I oughta...

Devil waves his hand in front of Angel's face and, when it reaches his forehead, brings it down hard on his nose. Angel grabs his nose and yelps in pain.

HOMER
I said cut it out!

Homer raises a hand and flicks the Devil away.

ANGEL
Thank you, Homer. You won't regret that dec --

SOUND: loud splooch from where the hamburger is. Homer's eyes slowly look down.

INT. CORRIDOR - DAY

Homer wearily walks down the hall towards the bathroom, the Angel hovering over his shoulder.

ANGEL
You did the right thing --

HOMER
Shaddup.

ANGEL
You never would have forgiven yourself --

HOMER
Shaddup.

ANGEL
Consider it a blessing that you were saved fro --

Homer reaches up and grabs the Angel between his thumb and forefinger.

HOMER
What did I say?

ANGEL
(strangled)
Shut...up...?

Homer flicks the Angel away.

HOMER
Damn goodie two shoes!

INT. BATHROOM - DAY

REPORTER, short, dressed in black, sits in a stall. SOUND: bathroom door opens and closes.

HOMER
(off)
Now look what I've done! Marge is gonna kill me!

Reporter's eyes widen. Through a crack in the door, he sees Homer appraising himself anxiously in the mirror. The front of Homer's shirt is drenched predominantly red (ketchup mixed with mustard, mayonnaise, etc.).

HOMER (CONTINUING)
Stupid! Stupid! Stupid! Stupid!

Homer turns on the water and reaches for the last ball of soap in the tray. Reporter, hurriedly pulling up his pants, brushes against the toilet bowl, which squeaks.

HOMER (CONTINUING)
Hunh...?

Homer looks up. He knocks the soap ball out of the tray; it rolls into the stall the Reporter is trying to hide in.

HOMER (CONTINUING)
Oh, great! Now how am I going to get this bloody stain out of my shirt!

Homer goes to the stall and reaches around for the soap. Reporter is standing on the toilet bowl rim. The soap is tantalizingly out of Homer's reach. Will he look in and see the Reporter? Lisa and Bart enter the bathroom.

LISA
...so, matter really only exists as a series of potential fields.

BART
So, my room is always potentially clean?

LISA
Well...

They notice Homer.

BART
Homer, what are you doing?

HOMER
Oh, uhh, Bart, Lisa. I --

Homer stands up.

LISA
Dad, what happened to your shirt?

HOMER
(sighs)
It's a long story. I was about to eat --

BART
Cool. Can I have one just like it?

HOMER
It's getting late. I think we better go...

They leave. Reporter rushes out of stall, rushes back in. SOUND: flush. Reporter rushes out of the bathroom, a big grin on his face.

FADE TO BLACK:

END OF ACT ONE

ACT TWO

FADE IN:

EXT. STREET - NIGHT

A beam of light opens up from the sky and a skinny man awkwardly drops to the ground. SOUND: choir hitting a note. The man picks himself up as the beam of light retreats. The Simpsons' station wagon drives through the shot, knocking the man out of frame. He woozily walks back into the frame, and is immediately knocked out again by an ugly VW bug.

EXT. KWIKI MART - NIGHT

The VW bug is parked outside the Kwiki Mart. Reporter is talking on a phone outside the store.

REPORTER
(excited)
...blood all over his shirt, there was some talk about killing and -- oh! Get this! -- there may even be a cannibalism angle!

SOUND: squeaky squawking from the telephone.

REPORTER (CONTINUING)
That's just it, Chief! I followed him -- he's got a home and family in the suburbs. He's the all-American Suburban Serial Killer!

SOUND: squeaky squawking from the telephone.

REPORTER (CONTINUING)
Uhh, Chief, are you working at the chalkboard again?

INT. EDITOR'S OFFICE - NIGHT

EDITOR, a rotund, balding little man with a pencil moustache, stands in front of a large blackboard next to a messy desk. On the blackboard is an extremely complicated sketch linking a bunch of conspiracy theories with thin lines. In one corner, for instance, "Area 51" is linked to "Roswell" to "JFK assassination" to "bad Oliver Stone movies" to "Knights Templar," and so on. On the wall are framed tabloid newspaper covers: one has a headline which reads "Severed head saves tot's life," and is accompanied by a picture of a baby in a crib with a man's head; another has a headline "Toxic sludge good for you, experts say," with an accompanying photo of two girls in bikinis with oil facials. Editor draws a line on the chalkboard between "The X Files" and "The Rockford Files." SOUND: squeaky, squawking like on the phone, only a bit louder.

EDITOR
Oh, sorry. I guess I am. Sounds like a great story, Reporter. But do you have any proof?

REPORTER
Proof? Give me a break. Did Woodward and Bernstein wait for proof to break Watergate?

EDITOR
Actually, yeah, they did. Give me something I can work with, and I guarantee we'll plaster this monster all over the front page.

REPORTER
(sly)
Okay, Chief. I can play it your way...

INT. MOE'S TAVERN - NIGHT

Reporter is talking to Moe while Barney watches.

MOE
Well, I wouldn't say Homer Simpson was a violent man, but he often used ta say he'd kill for a Duff Beer...

BARNEY
Yeah! I remember one time, Homer was sitting in that chair, just like you are now, only, no, wait, he had to go to the bathroom, so he couldn't have been sitting there --

MOE
I think what Barney is trying to say is that when Homer got back, somebody had drunk his beer, and he was so mad, he said if he ever found out who it was, he would kill him. Homer would kill the man who drunk his beer.

Barney burps loudly. Moe and Reporter look at him.

BARNEY
Uhh, yeah. Kill him.

INSERT: newspaper, starting out small, and getting bigger as it approaches the screen. It stops, filling the screen. The screaming headline reads: "Di partying with the King;" it is next to a fake looking black and white photo of Lady Diana and Elvis having cake in what looks like the control room of a UFO. ZOOM IN on a bottom corner of the front page on which is the headline: "Local man threatens several with murder. See page 46 for details."

INT. HALLWAY - DAY

Reporter is talking to SELMA, who is talking to him through the crack the door of her apartment can be opened on its chain.

SELMA
Homer Simpson? Oh, yeah. I can never think of Homer Simpson without thinking of broken limbs -- disemboweling, really -- blood spurting all over pristine white walls... eyeballs popping out of their sockets...

REPORTER
(queasy)
Uhh...thank you.

SELMA
Hey -- glad I could help.

INSERT: spinning newspaper. When it stops, the headline reads: "Whitewater lawyer admits being on grassy knoll!" The picture next to it is of Bill Clinton, but there's a large inset of John F. Kennedy. ZOOM IN on larger corner where, in bigger type, is the headline: "Relatives finger suspect in 15 slayings. See page 22 for details."

INT. DOUGHNUT SHOP

Reporter is sitting at a table talking to CHIEF WIGGAM.

WIGGAM
Naah. There hasn't been a rash of unsolved murders in Springfield lately...

REPORTER
Oh...

WIGGAM
Besides, I've been busy rushing to the Kwiki Mart every fifteen minutes -- that Apu hits the panic button every time somebody asks if the Raspberry Twizzlers are fresh!

REPORTER
Ah!

INSERT: spinning newspaper. Headline: "Sunshine causes cancer, scientists claim." The picture next to it is of a couple of girls in lead bikinis. A second headline, growing in prominence, reads: "Local police can't cope with rash of 47 unsolved killings, robberies and assorted mayhem. See story, page 7."

EXT. NUCLEAR POWER PLANT - DAY

Homer walks through the gate on his way to work. Reporter, a PHOTOGRAPHER by his side, waits for him.

REPORTER
(conversational)
Hey, Simpson, if you're a degenerate, low-life mass murdering scumbag --
(shouts)
LOOK OVER HERE!

Homer turns towards him.

HOMER
What? Where?

The Photographer takes a series of shots. INSERT: spinning newspaper. When it stops, we see the headline reads: "Simpson as good as confesses to 123 brutal murders." Next to it is a picture of Homer looking like a deer in headlights.

INT. SIMPSON'S KITCHEN - DAY

The family is gathered around the table, eating breakfast. Homer's head is buried in his arms on the table. After a couple of seconds, Marge, who has been washing the dishes, notices.

MARGE
Homer, is something wrong?

HOMER
Could somebody please make those twirly newspapery things stop? They're making me sick!

MARGE
(sympathetic)
Oh, Homie...

HOMER
It's no use, Marge. I'm a vicious, mass murdering...bad guy! I killed 121 --

BART
123.

HOMER
Whatever. I killed a lot of people, Marge. I'm gonna swing for sure!

MARGE
Don't be ridiculous, Homer. You didn't kill anybody!

HOMER
I didn't? But it's in all the papers -- it must be true!

MARGE
Oooh -- I never thought I'd be grateful the literacy rate in this country is dropping, but --

LISA
Come on, dad. You may be a lot of things, but you're not a degenerate lowlife who enjoys dismembering corpses and burying the pieces in plastic baggies in people's vegetable gardens.

HOMER
(brightening)
I'm not? Woohoo! That makes me practically an ideal father!

MARGE
Now, Homer, some members of the press abuse their positions of authority and destroy innocent people's lives in an insane bid for readers --

HOMER
Well...as long as it's for a good cause --

MARGE
But I know my Homie never killed anybody. So, go out there and do your best and don't let any journalists get to you!

HOMER
(enthusiastic)
I will!

EXT. SIMPSON'S HOUSE - DAY

Dozens of reporters are milling about on the front lawn.

TV REPORTER
So, where's the homocidal maniac?

FADE TO BLACK:

END OF ACT TWO

ACT THREE

FADE IN:

EXT. SIMPSON'S HOUSE - DAY

Dozens of reporters are milling about on the front lawn. Homer walks out the front door and into the bright camera lights.

HOMER
The sun is really bright today...

SECOND REPORTER
Mister Simpson! Mister Simpson!

Homer shades his eyes as the reporters rush him.

HOMER
Eek! No! I'm not Homer Simpson!

The reporters back off a little.

FEMALE REPORTER
You're not?

HOMER
Absoluletely not! Nope! Unh un!

FEMALE REPORTER
You look an awful lot like him...

HOMER
That's because I...I'm...his...twin! Yes! I'm not Homer Simpson --

MARGE
(from inside)
Homer, you forgot your lunch!

HOMER
I...I'm his twin...but...I'm also named Homer!

SECOND REPORTER
(suspicious)
The same name, hunh?

HOMER
(lame)
My parents didn't have a lot of imagination?

FEMALE REPORTER
If you're not the Homer we're looking for, where is he?

HOMER
(blurts)
Moosejaw!

The reporters look at each other, confused. After a couple of seconds, Reporter tries to sneak away from the pack. A second later, they've all disappeared, a wisp of dust falling to the ground marking their passage. Homer, impressed with himself, saunters to the garage. INSERT: spinning newspaper. Homer's hand enters the frame and stops it from spinning. The headline reads: "Springfield Splatterer Moves to Moosejaw!" The picture next to it is, naturally, of old people lounging in Florida.

HOMER
(off)
That's better.

EXT. SCHOOL PLAYGROUND - DAY

Bart is sitting at a picnic table having lunch. NELSON walks up to him.

NELSON
Hey, Bart, what are you eating?

BART
Back off, Nelson. My dad's killed 123 people!

NELSON
Only 123?

Pause as Bart works out the implications. He turns to Nelson in supplication.

BART
Don't hit the face, okay? Please, leave the face alone...

INT. BURNS' OFFICE - DAY

An artist with a stereotypical goatee and white smock is working on a clay bust of Mister Burns, who is posing in what he thinks is a heroic way.

BURNS
Will my chin be heroic?

ARTIST
Man, it'll be so heroic, man, it'll conquer cities.

BURNS
And, the fire in my eyes?

ARTIST
Blazin', man. I'm talking atomic!

BURNS
I was thinking more of a brimstone motif for my eyes, actually.

ARTIST
I'm hip to your wishes, man --

Smithers bursts in and drops a tabloid newspaper with Homer's picture prominent on the front page on Burns' desk.

SMITHERS
Sir! Have you seen this?

Without moving his head, Burns turns his eyes towards the newspaper.

BURNS
He looks vaguely familiar -- was he recently on Hollywood Squares?

SMITHERS
It's Homer Simpson, sir. This vicious killer works at the plant.

BURNS
We can't have that! He must be fired! Stricken from our payroll like a plague washed away by a vaccine of some description!

SMITHERS
Uhh, actually, sir, according to the Contract, mass murder isn't a grounds for dismissal.

BURNS
It's not? Damn the union!

SMITHERS
Besides, sir, that's not how we dealt with Jeffery Dahmer when we found out about his little...indiscretions...

BURNS
Very well, then. Send the degenerate little mass murderer in...

The Artist waves his hands all over the clay faster than the eye can follow. When he is done, it's a cubist's worst nightmare.

BURNS (CONTINUING)
(sputters)
Whu...what is that?

ARTIST
It's art, man.

BURNS
What about my eyes?

ARTIST
They're represented by that corner in the left.

Artist points to a part of the sculpture in the top corner.

ARTIST (CONTINUING)
That one. Over there.

BURNS
You're fired! Smithers, get this overpaid clay hack out of my office at once!

ARTIST
Philistine!

BURNS
One of the original Mayflower Philistines. And proud of it!

This finally seems to get through the Artist's cool veneer.

ARTIST
Bummer...

INT. BURNS' OFFICE -- DAY (LATER)

Homer rushes into the office, breathless. Pieces of shattered clay lay about Mister Burns' desk.

HOMER
Mister Burns! If this is about the hamster that got into the cooling duct --

SMITHERS
No, Mister Simpson, it's --

HOMER
Because, you know, only half of Springfield was blocked out, and it didn't even last 72 hours!

BURNS
Smithers, what is this cretinous buffoon inanely prattling on about?

Homer looks at Burns, then at Smithers.

HOMER
Is he talking about me?

SMITHERS
Mister Simpson, Mister Burns is concerned about your, uhh...

BURNS
Propensity for ostentatiously dismembering members of the energy-consuming public!
SMITHERS
It's the publicity, you see. It's not good for us.

HOMER
I see.
(pause)
So, this isn't about the hamster?

SMITHERS
(fake chuckle)
Hamsters...cooling ducts...hazard of the profession, wouldn't you say? Actually, we'd like to temporarily reassign you until this...uhh...

BURNS
Unholy media fooferaw!

SMITHERS
This adverse publicity, uhh, blows over...

HOMER
Reassign? Me? Where?

Smithers and Burns look at each other and positively grin.

INT. ACCOUNTING DEPARTMENT - DAY

CU of glass door with word "Accounting" on it in gold leaf. The door opens and we follow into the room as Homer enters. Half a dozen nondescript men in grey suits sit at plain desks. A couple are working at word processors, a couple are talking on the phone, one is busily working an abacus. One, RAMON GOODWATTY, walks over to Homer, who is not happy with what he is seeing.

GOODWATTY
Mister Simpson? Ramon Goodwatty. Welcome to Accounting. We're all great admirers of your work!

Goodwatty pumps Homer's hand.

HOMER
I've never done any accounting.

GOODWATTY
No, your other work. Jack over there was charged with 12 murders, but never convicted...

JACK
How ya doin'?

GOODWATTY
Fred was rumoured to be the Mississippi Mole Strangler, but they never pinned those 20 sewer murders on him...

FRED
Ta.

GOODWATTY
Yes, we're all overachievers here in Accounting. Still, nobody in the office approaches 123 homocides...

HOMER
Ooooh!

GOODWATTY
Now, I don't want to crowd you on your first day -- professional courtesy and all -- but do you know anything about double entry bookkeeping?

INT. CHIEF WIGGAM'S CAR - NIGHT

Wiggam is driving. FRANK PEMBLETON is sitting next to him.

PEMBLETON
I appreciate your cooperation, Chief Wiggam. I'm here to see if there's any connection between your mass murderer and a series of unsolved slayings still on our books.

WIGGAM
Have you gotten to see any of our fair city?

PEMBLETON
Not really. This trip is strictly business for me.

WIGGAM
I see.
(pause)
I guess Springfield isn't as exciting as... Baltimore!

PEMBLETON
I wouldn't know. As I said --

WIGGAM
I suppose the murders in Springfield aren't as interesting as those in...Baltimore!

PEMBLETON
I didn't say --

WIGGAM
Slurpees more...slurpier in...Baltimore!

PEMBLETON
Is this leading anywhere?

EXT. WIGGAM'S CAR - NIGHT

As it drives down the road.

WIGGAM
Sunsets darker in...Baltimore?

Pembleton sighs.

WIGGAM (CONTINUING)
TV programs better in...Baltimore?

INT. SIMPSON'S DEN - NIGHT

Marge and Homer sit arm in arm on the sofa. Chief Wiggam and Pembleton stand.

WIGGAM
Now, Mister and Misses Simpson, this is Detective Frank Pembleton of the... Baltimore police force. He's here to ask you a few questions.

Wiggam moves off to the side. Pembleton paces as he speaks.

PEMBLETON
Thanks, Chief. Over the past several months, a series of homicides have occurred in...my city. The victims had no features in common -- some were women, others men. Some were old, others were young. Nor did the crimes show any pattern. Some were committed during the day, others at night. A variety of weapons were used, and the bodies were distributed in seemingly random areas of the city. However, one factor remained constant in all of these killings: the killer removed the upper lip of each of his victims.

HOMER
Eww! Who would do such a thing?

Pembleton points dramatically at Homer.

PEMBLETON
You did, Homer Simpson!

DIFFERENT ANGLE: Pembleton points dramatically at Homer.

PEMBLETON (CONTINUING)
You did, Homer Simpson!

ANOTHER DIFFERENT ANGLE: Pembleton points dramatically at Homer.

PEMBLETON (CONTINUING)
Homer Simpson, you did!

WIGGAM
Say, how did you do that?

PEMBLETON
I'm the primary on the case. I got prerogatives.

MARGE
Detective Pembleton, with all due respect, that's crazy! Homer can barely tie his shoes without help!

HOMER
Can I help it if I can't remember when the right lace goes over the left lace?

MARGE
Oh, look, there's an easy way to settle this...

Marge walks out of the room. Long pause.

WIGGAM
So...uhh...meet a lot of women in Homicide?

PEMBLETON
No. Mister Simpson, do you know --

Marge returns with a huge Diary.

MARGE
Okay, Detective, when did you say those murders took place?

PEMBLETON
Oh, well, let's just see...

Pembleton produces his notepad and flips until he finds the right page.

PEMBLETON (CONTINUING)
Deedee Fenstruck was believed to have been killed on January 12, between the hours of five and seven pm.

Marge flips pages in the Diary.

MARGE
January 12...January 12...ahh. Homer couldn't have committed that murder because he was having the All You Can Eat Pasta Bar at Mama Pizzicotti's.

PEMBLETON
Really?

HOMER
Mmm...linguini alfredo.

MARGE
Homer was bedridden with indigestion for a week.

Pembleton purses his lips and flips a couple more pages.

PEMBLETON
Hmm...if true, that would let him off of a couple of the killings. How about...February 2, from two to six in the evening?

Marge consults the Diary.

MARGE
That was All You Can Eat Fried Foods at Mike's House of Dough and Grease.

HOMER
I couldn't look at a doughnut for six months...

WIGGAM
Poor guy!

PEMBLETON
February 21? Five to nine-thirty?

MARGE
All You Can Eat Sushi Kabobs.

PEMBLETON
October 5? Six to midnight?

MARGE
Vegan Delight's All You Can Eat Kurds and Tofu Bar.

PEMBLETON
Kurds and tofu? For over six hours?

HOMER
Hey! I was just exercising my right as an American to gorge myself on cheap and inauthentic ethnic cuisine!

Pembleton shakes his head and closes his notepad.
PEMBLETON
Misses Simpson, I'll talk to the owners of the restaurants...

MARGE
Actually, they're all in receivership. But Homer's name does figure prominently in the bankruptcy papers.

PEMBLETON
Whatever. As long as I can get some corroboration for your story, your husband will be in the clear.

EXT. SIMPSON'S HOUSE - DAY

The next morning, the reporters are sleepily camped out in front of the Simpson's house. Marge, hair in curlers, opens the door and retrieves the morning paper from the porch.

MARGE
(shouting)
Go away! Shoo! The detective from --

The reporters loudly inhale.

MARGE (CONTINUING)
That other city has cleared my husband. He hasn't killed anybody!

TV REPORTER
Then whose life can we destroy with our overzealous attention?

Just then, NED FLANDERS, his moustache in curlers, walks out of his front door. INSERT: spinning newspaper. The headline reads: "Satanic Ritual Murders -- they always happen in the best of families!" Next to it is a picture of Ned Flanders looking very Ned-like. Under the photo is a sub-head: "Everything not okely-dokely in Springfield." After a second, Homer's hand swats the newspaper out of frame.

HOMER
(over)
That tabloid journalism gives me a headache!

FADE TO BLACK:

The end of The Simpsons: "Eek! and Ye Shall Find"